Composer Magazine

November 24, 2019

From a one-of-a-kind Hurdy Grande to a 90ft wind harp, the Newton Brothers leave no stone unturned when it comes to crafting the ultimate horror score. We join composers Andy Grush and Taylor Newton Stewart in their studio to discuss the story behind their pseudonym, how they built their careers, and their inspiring approach to scoring titles such as Netflix’s The Haunting of Hill House, Oculus, Gerald’s Game, and Doctor Sleep.

 

 

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